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| "It's in this stone... I just need to bring it out" Michelangelo Buonarroti (1475 - 1564) |
Visual Eloquence in Cinematic Expression depends on Choices that Director and Cinematographer make in order to relate to
emotional content of the Scene. Knowledge of expressive potential of tools of cinematography (Lens, Camera, Light) is
detrimental in understanding reasons behind creative Choices and helps in communication with cinematographer. Vice versa
- it helps Cinematographer relate to quality of dramatic/narrative content as sought by Director.
Program relates to Cinematic Expression in two main aspects of directorial interpretation:
1. WHY (Creative)
2. HOW (Technical)
Workshop format - Lecture - Demonstration - Hands-on (with Camera and Lighting)
emotional content of the Scene. Knowledge of expressive potential of tools of cinematography (Lens, Camera, Light) is
detrimental in understanding reasons behind creative Choices and helps in communication with cinematographer. Vice versa
- it helps Cinematographer relate to quality of dramatic/narrative content as sought by Director.
Program relates to Cinematic Expression in two main aspects of directorial interpretation:
1. WHY (Creative)
2. HOW (Technical)
Workshop format - Lecture - Demonstration - Hands-on (with Camera and Lighting)
Program (One-Day Workshop) Process of Cinematic Eloquence Diegetic world of Cinema Identifying Moments - Building Blocks of Directorial Interpretation Relevance of Technical / Artistic Choices - Why and How Lens - Expressive Qualities Optical and "Psychological" Attributes Choice of Lens - relation to quality of emotion to be described Depth of Field - Focal Length - Aperture - Selective Focus Focal Length - Perspective Distortion - Visual Dynamics Camera Eloquence - Position, Angle, Movement - Reasons and Motivations Color - Meaning of Color and Color Contrasts - Relation to emotional conten of the Scene Colors of Chakra - Spiritual Symbolism Dialogue - Director / Cinematographer Light and Lighting - Expressive Qualities Elements of Cinematic Mood Narrow versus Broad Lighting - Dramatic Implication Lighting Style versus Dramatic Content of the Scene Exposure F-stop as "Scene Canvas" Low Key Scene Challenge |
This workshop is available as an Individual Workshop. Day and / or Evening classes. Please contact us about Date and Time |
Workshop Date: Contingent upon individual date arrangement and deposit 2 weeks prior to workshop day. |
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