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| "It's in this stone... I just need to bring it out" Michelangelo Buonarroti (1475 - 1564) |
Eloquence of Cinematic Expression depends on Choices that Director and Cinematographer make to relate to emotional
content of the Scene or the Moment within that Scene. Knowledge of expressive potential of tools of cinematography
(Lens, Camera, Light) is detrimental in understanding reasons for creative Choices and helps in communication with
cinematographer. Vice versa - it helps Cinematographer relate to quality of dramatic/narrative content as sought by
Director. Program relates to Cinematic Expression in two main aspects:
1. WHY (Creative)
2. HOW (Technical)
Directors and Cinematographers invited to apply.
content of the Scene or the Moment within that Scene. Knowledge of expressive potential of tools of cinematography
(Lens, Camera, Light) is detrimental in understanding reasons for creative Choices and helps in communication with
cinematographer. Vice versa - it helps Cinematographer relate to quality of dramatic/narrative content as sought by
Director. Program relates to Cinematic Expression in two main aspects:
1. WHY (Creative)
2. HOW (Technical)
Directors and Cinematographers invited to apply.
Program Day 1 Process of Cinematic Eloquence Diegetic world of Cinema Identifying Moments - Building Blocks of Directorial Interpretation Relevance of Technical / Artistic Choices - Why and How Lens - Expressive qualities Optical and "Psychological" Attributes Choice of Lens - relation to quality of emotion to be described Depth of Field - Focal Length - Aperture Focal Length - Perspective Distortion - Visual Dynamics Day 2 Camera Eloquence - Position, Angle, Movement Reasons and Motivations Color - Meaning of Color and Color Contrasts - Relation to emotional conten of the Scene Colors of Chakra - Spiritual Symbolism Dialogue - Director / Cinematographer Day 3 Light and Lighting - Elements of Cinematic Mood - Demonstration/Hands-on Light Quality - Ambiance versus Key Light Lighting Style - Aesthetics and Mood relevance Lighting Ratio and Contrast Ratio - Level of Cinematic Drama Key Light - Ambiance - Lighting Setup (Broad / Narrow) Direction of Key Light - Mood and Style relevance Exposure F-stop as "Scene Canvas" Low Key Scene Challenge Determination of the Scene F-stop Creating with Camera and Light from Previsualization Method and Elements of Low Key Challenge Night / Interior - Candle Light Correlation between Lighting Style and Lighting Mood |
This workshop is available as an Individual Workshop. Day and / or Evening classes. Please contact us about Date and Time |
Workshop Date: Jun 24 - 25 - 26, 2017 |
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